Nduduzo Makhathini grew up in the lush and rugged hillscapes of umGungundlovu in South Africa, a peri-urban landscape in which music and ritual practices were symbiotically linked. The area is significant historically as the site of the Zulu king Dingane kingdom between 1828 and 1840. It’s important to note that the Zulu, in fact the African warrior code, is deeply reliant on music for motivation and healing. This deeply embedded symbiosis is key to understanding Makhathini’s vision.
The church also played a role in Makhathini’s musical understanding, as he hopped from church to church in his younger days in search of only the music. The legends of South African jazz are deep influences as well, in particular Bheki Mseleku, Moses Molelekwa, and Abdullah Ibrahim. “The earlier musicians put a lot of emotions in the music they played,” he says. “I think it may also be linked to the political climate of those days. I also feel there is a uniqueness about South African jazz that created an interest all around the world and we are slowly losing that too in our music today. I personally feel that our generation has to be very conscious about retaining these nuances in the music we play today.”
Through his mentor Mseleku, Makhathini was also introduced to the music of John Coltrane’s classic quartet with McCoy Tyner. “I came to understand my voice as a pianist through John Coltrane’s A Love Supreme,” he says. “As someone who started playing jazz very late, I had always been looking for a kind of playing that could mirror or evoke the way my people danced, sung, and spoke. Tyner provided that and still does in meaningful ways.” Makhathini also cites American jazz pianists including Andrew Hill, Randy Weston, and Don Pullen as significant influences.
Active as an educator and researcher, Makhathini is the head of the music department at Fort Hare University in the Eastern Cape. He has performed at renowned festivals including the Cape Town International Jazz Festival and the Essence Festival (in both New Orleans and South Africa), and in 2019 made his debut appearances the Blue Note Jazz Club in New York City, as well as Jazz at Lincoln Center where he was a featured guest with Wynton Marsalis and the Jazz at Lincoln Center Orchestra on their 3-night musical celebration The South African Songbook in Rose Theater. He is a member of Shabaka Hutchings’ band Shabaka and the Ancestors appearing on their 2016 album Wisdom of Elders, and has also collaborated with artists including Logan Richardson, Nasheet Waits, Tarus Mateen, Stefon Harris, Billy Harper, Azar Lawrence, and Ernest Dawkins.
Treat yourself to dinner before the show at the Old Lyme Inn (attached to The Side Door Jazz Club!) and enjoy our delicious three-course prix-fixe dinner with inspired dishes by head chef Sichanh Patana!
MAKE DINNER RESERVATIONS HERE (we recommend reservations sometime between 5:30 and 6:30pm)
OLD LYME INN DINNER MENU:
*Doors open at 7:30pm
*Show starts at 8:30pm
*Seating is first-come, first-served.
*If you are dining with us, you may come to the club when doors open at 7:30pm to secure seating.
at Old Lyme Inn, 85 Lyme Street Old Lyme, CT 06371