In a career spanning five decades, pianist Monty Alexander has built a reputation exploring the worlds of American jazz, popular song, and the music of his native Jamaica, finding in each a sincere spirit of musical expression.
Jamaican-born pianist Monty Alexander has been thrilling audiences for five decades, including thirteen years of headline performances at the Montreux International Jazz Festival. Fifty-five years after he moved to the United States from Kingston, Jamaica, his home town, pianist Monty Alexander is an American classic, touring the world relentlessly with various projects, delighting a global audience drawn to his vibrant personality and soulful message. His spirited conception is one informed by the timeless verities: endless melody-making, effervescent grooves, sophisticated voicings, a romantic spirit, and a consistent predisposition, as Alexander accurately states, “to build up the heat and kick up a storm.” In the course of any given performance, Alexander applies those aesthetics to repertoire spanning a broad range of jazz and Jamaican musical expression—the American songbook and the blues, gospel and bebop, calypso and reggae. Like his “eternal inspiration,” Erroll Garner, Alexander—cited as the fifth greatest jazz pianist ever in The Fifty Greatest Jazz Piano Players of All Time (Hal Leonard Publishing) and mentioned in Robert Doerschuk’s 88: The Giants of Jazz Piano—gives the hardcore-jazz-obsessed much to dig into while also communicating the message to the squarest “civilian.”