"Music is so textured and layered," she says, "and it is an absolute entity in my life. It's three-dimensional, it's tangible, and when I die, I'll say goodbye to it, just as I will to everyone standing around my bed."
In the four years since she's blessed the people with a set of songs, she's been "working, writing music and living a very, simple life. Many people think that you're just lounging between albums, but that time for me was about trying to find a place to land that will give you the opportunity to create something artful, something mindful," Lalah notes.
With SELF PORTRAIT, (Stax Records/Concord Music Group), her fifth studio album, including the Joe Sample duet, and on which she co-wrote and co-produced, Hathaway is poised to express who she is, where she is, today, at this very moment. For starters, she is an artist, of course, but she's also a devoted daughter, culture junkie and a good friend, even. But not necessarily in that order.
"This album is like a movie of my life over the last couple of years," she says. "The portrait I see of myself is of a very confident, smart woman who is extremely funny, independently wealthy and well-traveled - all things that I am to a small degree., she laughs. "Every day, I realize that I'm walking toward the woman I'm going to be. She's there. I can see her. "Leading the 12-song collection is "Let Go," a dance-oriented, up-tempo number she produced with Rex Rideout and wrote alongside Rahsaan Patterson. And just as the title suggests, the song is about acknowledging and releasing whatever's not working to make room for the next experience. "I've had to let go of quite a few things, quite a few situations and a couple of mindsets," she admits about the origins of her first single. "Every so often, I have to remind myself to just let some stuff go - from people and relationships to an old pair of jeans."
While it might seem that "On Your Own," which re-teams her with Rideout and Patterson, is inspired by a past heartbreak, in fact, the idea for the song came to her in a dream. "My father was singing to me and telling me that I could make it on my own," she reflects. Keeping in step with the theme of family, she journeys back to her childhood with "Little Girl," which she co-produced with Rideout and penned with Patterson and Sandra St. Victor. When she reminisces about growing up under the watchful eye of her mother, she's always felt the presence of her father in her life.
Born to Donny Hathaway, one of the most influential soul artists of the eighties, and Eulaulah Hathaway, an accomplished musician in her own right, the Chicago native first put pen to paper, "with the music," as a 10th grader. Later, as a student at Berklee College of Music, she recorded her self-titled debut in 1990, which spawned the hits "Baby Don't Cry," "Heaven Only Knows" and "I'm Coming Back." She returned four years later with A Moment, followed by the much-lauded The Song Lives On, her duet album with Joe Sample in 1999, the same year she began growing her now-signature, cinnamon-hued ‘locs. By 2004, she'd deliver her fourth album, Outrun the Sky, garnering Hathaway her first number one single, the Rex Rideout-produced cover of Luther Vandross' Forever, For Always, For Love, which was also featured on the critically-acclaimed Vandross tribute album of the same name.