“A one-man band who turns a guitar into an orchestra and his voice into a chorus.” — The New York Times
Ever since the 20th century turned into the 21st, singer-songwriter and guitarist Raul Midón has earned renown as one of music’s most distinctive and searching voices – “a one-man band… who is spiritually connected,” according to The New York Times, and “an eclectic adventurist,” in the words of People magazine. The New Mexico native, blind since birth, has released eight albums since 1999, including the acclaimed studio productions Don’t Hesitate (Mack Avenue/Artistry, 2014), Synthesis (Decca/Universal, 2009), A World Within a World (Manhattan/EMI, 2007) and State of Mind (Manhattan/EMI, 2005). Midón’s questing musicality makes him, as the Huffington Post put it, “a free man beyond category.” Attesting to his enduring ambitions is Midón’s ninth studio album, Bad Ass and Blind, set for release via Mack Avenue/Artistry Music on March 24, 2017.
Search for “Raul Midón” on YouTube and you’ll find a clip of him appearing on The Late Show With David Letterman in 2006. Performing “State of Mind,” the title track from his major-label debut, Midón unveils what would become his signature combination of silky tenor voice and percussive guitar style. His guitar playing is a syncopated, flamenco- and jazz-infused wonder in which bass, harmony and melodic lines fly from the fretboard in a way that seems to belie the fact that all the music is being produced by just two hands. If that weren’t enough, Midón busts out his improvisational mouth-horn technique, in which he creates a bebop “trumpet” solo entirely with his lips, earning himself a spontaneous burst of mid-song applause from the audience in the process. It’s the sort of performance that led the Huffington Post to describe how “he plays with such freedom and joy that his hands smile.” Billboard called him, simply and aptly, “a virtuoso.” Subsequently, Midón’s live 2016 rendition of John Coltrane’s jazz classic “Giant Steps” – which sees him fly through all 12 keys – has earned more than 1.2 million views via Facebook.
In early 2016, the guitarist was invited to cross the U.S. as a featured artist in the Monterey Jazz Festival On Tour company that also included the likes of jazz stars Nicholas Payton, Ravi Coltrane and Gerald Clayton. The tour culminated in a weeklong run at New York City’s Birdland. It was an acclaimed live collaboration, with JazzTimes remarking on how Midón became “the undeniable focus” whenever he came onstage and praising his “acrobatic… note-perfect” performances, as well as the “new, swinging ‘Wings of Mind’.” Inspired by his encounters with top jazz improvisers, Midón tapped some of the Monterey players to form a band for several tracks on Bad Ass and Blind, including “All That I Am,” “If Only” and “Wings of Mind,” each complete with scintillating solos. “It was the realization of a dream to have my music performed by players of this caliber – they really took the tunes to a higher plane, adding their own art to the songs,” says Midón, who produced the album himself. “Guys like these are never just hired guns – listen to the killing trumpet solo Nicholas played on ‘Wings of Mind’.”